SlowPokemon

SlowPokemon

Critical thinking = success!

Comments 212

Re: Listen To The Music From Pokémon: Let's Go Pikachu And Eevee With This Official Soundtrack

SlowPokemon

I really hate the music arrangements in this game. Thank god Shota Kageyama was working on this and presumably not the new Pokémon game for next year. His orchestrations here and for Omega Ruby/Alpha Sapphire (and even most of his tracks in XY) completely sterilized anything interesting about the music. He wasn’t involved in Sun and Moon at all, and that’s the best soundtrack they’ve had in years. Minako Adachi and Hitomi Sato are so much better as composers for Pokémon—girl power, am I right?

Re: Guide: How To Battle Red In Pokémon: Let's Go On Nintendo Switch

SlowPokemon

This is a spoiler that is really obnoxious to see in the title...Red was not in the original games (technically, your character was Red) and I’ve been avoiding trailers, so sorry if he was shown in one, but yeah this is really kind of a bummer to be spoiled about considering this game has so few surprises anyway. Please be more conscious in the future—I’m not being butthurt, that’s a legitimate request.

Re: Guide: The Best Pokémon Games - Every Mainline Pokémon Game Ranked

SlowPokemon

This list is absolute nonsense. Ruby and Sapphire being marked so far from Emerald? Diamond and Pearl being at the bottom with Platinum near the top? Theyre practically the same game. Besides which, you literally just listed the games’ features instead of giving any reasons for why you ranked them in this order. Awful, poorly-written list.

Re: A Pokémon Let's Go Pikachu And Eevee Soundtrack Is Coming With Remixes Of Old Classics

SlowPokemon

Ughhhh I hope this ends up being good, and I’ll keep an open mind, but Shota Kageyama is the worst composer to have ever worked on Pokémon games. He didn’t work on Sun and Moon at all, handing the reins over to the likes of Minako Adachi and Hitomi Sato, and those two women (along with a few tracks by Go Ichinose and Jun’ichi Masuda) composed a soundtrack six times as good as X and Y, which was dominated by his sound. I sincerely hope Kageyama’s technique has improved from the bland style he’s had before, because even his arrangements of the great tracks in Ruby and Sapphire sort of “sanitized” them in ORAS.