@Buizel
That's a fair question. For me, modernity does factor in. No denying it. Fluid controls and mechanics, HD visuals (doesn't have to have a $100m budget, but just having pleasant 3D visuals integrated into a 2D game really elevates the experience versus playing an old sprite based game).
Stand tall and proud. You're now part of the Dread club 😉
Psalms 22:16 (1,000 yrs before Christ)
They pierced My hands and feet
Isaiah 53:5 (700 yrs before Christ)
He was pierced for our transgressions
Zachariah 12:10 (500 yrs before Christ)
They will look on Me whom they pierced
Those wanting a little more after dread, should check out mummy demastered if you haven't already. It's fairly tough like dread is, but it's definitely not as refined or fluid as dread. Still some fun to be had here and it should still be on sale.
you can get several Power Bomb Expansions before even getting the Power Bombs themselves and the game, reducing what little usefulness the Power Bombs have even further. And when you get them the game goes "lol nope, you can't use them until you get the Power Bombs the right way" (why do people think MercurySteam is sequence break-friendly when they intentionally do stuff like this? I know there's the Kraid Easter Egg, but there's much more examples of anti-sequence break design decisions in this game).
@pikku@JaxonH Hmmm...I will admit that controls are incredibly important to me in Metroidvanias, as for me the fun lies in gradually being able to more expertly navigate your environment. That said, I never found Zero Mission's controls to be bad...it's just that Samus Returns and Dread are a massive step up! I have heard a few bad things about Super's controls but I guess I'll find out soon enough.
Almost done with Samus Returns now. Will probably take a couple of weeks break before moving on to Super.
@JaxonH haha, thanks! That thing was brutal, but at least it's not another unfinished game to haunt me!
Never want to see him again, though! I'm playing again on hard but intend to stop before him, and maybe before Z57. It's wasn't fun at all on normal and I don't hate myself enough to go out again on normal let alone hard
@Buizel Supers controls aren't bad, they're just really really stiff by design. Even when it was new on SNES it felt weird and wooden, but it's not accidentally shoddy controls, it's just unusual controls that feel right once you're used to them.
Except wall jumping. That's just "Nintendo hard" for unforgivable input reasons.
@NEStalgia Interesting to know. One thing I really didn't like about Zero Mission was the space jump...it felt like there was absolutely zero room for error and I really struggled to pull it off a lot of the time. I imagine it's a similar case with wall jumping?
@Buizel There will be a learning curve for the controls in Super Metroid and probably a period of adjustment coming from the newer games first but if you take it on its own merits you'll find it very freeing. The freedom you gain from learning to wall jump alone is beyond rewarding, really blows the game open.
@Bolt_Strike To be fair, I think the reason they made that choice with the power bombs is to reduce the amount of backtracking required in 100% runs. The majority of power bombs that can be gotten early require no tricks whatsoever, and are just open to obtain once you get either Gravity Suit or Grapple Beam.
The game is incredibly sequence break friendly though, at least in once crucial way. Despite the sheer insane number of ways you can sequence break (including stuff like pseudo beam and early Screw Attack that are very unintended), the game is designed in such a way that you absolutely cannot softlock yourself as far as I can tell. That was definitely a purposeful design decision.
I'm sure someday someone will manage a softlock, sure (Ghavoran w/o speed booster could cause one if it was managed), but the game works super hard to always provide a way out.
Meanwhile, the ADAM sequences are also setup to not break no matter what order you play the game in, which is another nice touch.
@Buizel Yeah, space jump was tricky in ZM (heck, sometimes it's almost tricky in Dread), but Wall jumping in Super is just.....IDK if they tried to make it hard on purpose or if it's just broken and fans have embraced the brokenness. It's not just a skill for sequence breaking, one point in the game requires you do it, and it has "phantom" characters demonstrating it on repeat until you learn it. It's very very specific the sequence you press buttons in, and the timing of it. It works more like a fighting game than fluid platformer controls. Jump into the wall, start the slide down, press away from the wall for a split second THEN press jump, repeat, with perfect sequence.
There's nothing fluid or intuitive about it, it's a very deliberate button sequence event.
@mr_somewhere I'm not sure I'd call wooden controls that require freakishly impeccable timing "freedom"
@JoyBoy She can cling to magnetic walls, scale magnetic ceilings, curl into a ball, drop a nuke, roll through it, and slip through cracks, break rock by boosting through it while in a ball, or just with her head when she shine sparks, walk through lava, survive a 1000ft drop with no damage, and infinitely suspend herself in the air with unlimited jumps. But leaping off a wall...that's a feat of miracles!
@NintendoByNature you don't need the wall jumping in super Metroid. It is there for speedrunners. I am terrible at it and every time I go down the animals path it takes me a good 10-15min to just manage to get out... For some reason I can easily do one wall jump but 3 in a row? God no
@NEStalgia If you use the brief animation where Samus is pushing against the wall as a tell it helps a lot. I played it quite a number of times as a good and found it difficult to get back into when I was older but that helped a lot. It does take some time to get used to.
@Balta666 hmm I didn't realize that. I feel like I needed to use it at one point but I might be wrong. Anyway, it's a horrible mechanic for an otherwise good game. I have to admit though, super is lower on my 2d metroid list. Dread is by far my favorite.
@JoyBoy Rayman requires rhythm. DKC requires rhythm. Super Metroid wall jumping requires wiring your nervous system to a Metroid gnome.
@Balta666 I thought it was required in the room with the animals. Once you're in there I'm pretty sure that's the only way out, and the room exists to teach you. Maybe you can bypass the room, but if it's your first play you don't know where that is, and the game guides you into it.
@mr_somewhere There's also the issue that the game is meant for CRTs with zero latency and most of us are playing on laggy LCDs, or slightly laggy OLEDs. So what was once somewhat balanced for the lightning fast reactions of a child is now played on a display delay with an input delay by we who are not children.... It's actually harder than it was back then because of that. The reaction window from the animation is significantly shorter than it was meant to be.... And it was somewhat challenging even originally.
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