It’s not exactly the best time for fans of futuristic racing. With no new F-Zero on the horizon and the WipEout series seemingly dead, too, fans have to turn to the independent scene in the hope that something almost as good will do the trick.
The Switch has a couple of decent options already. Launch title Fast RMX remains the best of the bunch, offering phenomenal racing that still looks incredible all these years later, while Rise: Race the Future takes a while to get used to but is eventually a fun time. We’d love to add Future Aero Racing S Ultra to this list, but it falls a bit short.
Future Aero Racing S Ultra (or FAR S Ultra if you prefer) is your typical future-inspired racer with floating cars that look suspiciously like those in the WipEout series. At its core it’s straightforward enough: pick a car, pick a cup (there are five in total, which three races each) and try to finish top of the leaderboard when all the dust has settled.
There are some interesting mechanics in here that show there was at least some effort made to keep things novel. While you have your typical speed boosts on the track, going over one will also build up an extra boost gauge. When this is full you can activate a special boost that’s not only extremely fast but also gives you a shield that stops you taking damage if you hit a barrier.
Since your ship’s energy can be a little on the low side, this means the boost works in two ways. If you’re an expert, you’ll obviously want to use it on straights where you can get the most benefit from its extra speed. If you’re not so great, though, you can save it for sharp turns so you can plough your way round them, slamming into the walls unharmed.
As you level up you’ll unlock progressively faster vehicles, but as they improve the number of boosts required to fill up their meter grows too, meaning there’s a genuine level of strategy there: in some circumstances it may actually be better to choose a slower car because you’ll get your extra boost more often.
It’s all quite clever, then, but the problem is that the execution doesn’t quite live up to it. The AI opponents are annoyingly unforgiving, even on the lowest of the five difficulty settings available, and if you miss one or two boosts there’s a good chance someone will plough through your back and take a huge chunk of energy off you, probably making you explode and lose a chunk of time as you respawn.
Some of the tracks can also be irritating. One in particular appears to be set during a tornado, which apparently means filling the screen with static that makes it nearly impossible to see where you’re going. Having the odd course like this is bad enough, but when the Cups are only three races long you don’t really get to have a ‘bad’ race because you don’t have the time to build your points back up.
And then there’s the music. Oh, the music. Some of it is perfectly fine, but one or two tracks are poor and one of them in particular is — with no hint of exaggeration — the worst piece of music we’ve heard in a game for maybe decades. If you could put a microphone up to despair, this is what it would sound like. We had to stop taking screenshots for this review so we could tweet a clip of it (which led to it ‘blowing up’, as the kids say). Luckily, you can turn the music off.
Nothing about FAR S Ultra is particularly offensive (except the music, which is a crime against the concept of ears). It has some clever ideas but the execution is a little lacklustre, and the relatively low number of tracks combined with the annoying AI and the unforgiving nature of its difficulty means it certainly won't be to everyone's tastes. If you don't have Fast RMX then get that first, but we've played worse racing games for $7.
Comments 43
I'm guilty of scrolling straight down to the 'Joys' and 'Cons' section...but when I read "Some of the music will make your ears vomit, which shouldn't even be possible" I could tell straight away this was a Scullion piece and I should take my eyes right back up to the top.
Sweet Jesus that is the worst music I’ve heard from a game in a long, long time.
Wow, that music just gets worse by the second, doesn’t it?
@ToneDeath spend years on NL in general, and you can almost guess the whole article by the tone and puns of the subtitle.😏
At least a clip was enclosed to try and prove the point. But that's parsecs from the most baffling music I've ever heard, even though the middle part did send my eyebrow up with a chuckle.
"It's like a party in my ears and everyone's throwing up!"
It’s like all the layers of that sample song are competing for prominence over the others. Also one of them is massively out of tune, which absolutely does not help.
Only one thing is going to stop her now, that's no-one buying this awful music
[Edit - 5 Minutes later] AH GOD ITS STUCK IN MY HEAD!!!
I actually kinda like the music.
It grows on ya. We need more dissonance in our lives.
And I'm classically trained in the church choir and operatic traditions. I love Boroque, classical, romantic styles that don't clash. But dissonance often sounds bad because you're not used to those tonal combinations. Give it a listen for a while. Repetition is critical to making something wrong sound right.
Might even buy it to listen to the soundtrack!!
Can i have a link to the music
Boy, did I have to do that to myself?
When the music started I thought "Well, this isn't good, but isn't baaad...", then the vocals kick in "okay..?", but then! Then the second instrument (which I can't tell what is) starts and I've got to agree with someone's commentary on Twitter: it really is the elevator music down to hell
@1ofUs https://twitter.com/scully1888/status/1382214212131430404
@marandahir WOW. Oof.
Yeah, that's a bit rough. Thanks for the link.
Yes, ladies and gentlemen, we’re now at the point where asking people not to be bigoted is a ‘gotcha’ moment.
@marandahir i've heard barbie commercials that sound better than this
You guys have no sense of humor.
Bloody hell that music is just evil!
That music sounds like generic samples thrown on top of each other in Garageband on purpose, regardless of their respective keys. The composer is probably still laughing in his studio that no-one got the joke and that it actually made it to the final version of the game.
This is actually called "Polytonality". https://en.wikipedia.org/wiki/Polytonality
It's a compositional technique invented by 20th century classical composers (and later adopted by jazz musicians) where multiple different keys play simultaneously.
I think it's nice, that composers try to integrate such advanced techniques into video games!
Music shouldn't always sound the same. We also need innovation.
Who needs professional mixing and mastering anyway?
Wow that music.
I paid about £1.50 for it on Xbox, I've had around that amount of fun with it I'd say.
So the music matches the visuals?
This reminds me I need to finish Fast RMX on my Wii U still 😅 thee never ending backlog
Forget this, when's BallisticNG coming out?
I've been gaming since the 70s and never turn off the music, it's as much a part of the game as the graphics. I might have to rethink that.
LOL that music Sadly it actually does match the quality of today's "music" by today's "artists". Nothin' beats good rock and roll
The voice of the girl singing sounds ok but the high pitched metallic parts of the music is what makes the song bad. This is one of those songs that you hear once and dont want to hear it again.
“ If you could put a microphone up to despair, this is what it would sound like.”
So it’s a video camera short of Twitch?
I'm not a musician by any stretch, but that clip sounded worse than the mess I used to try to put together using Beaterator (a neat music maker for PSP/Vita) while cheaping out on hiring a musician for my own game dev efforts. It was just random...notes thrown together for whatever reason.
The melody is akin to a screeching cat's death cry.
This is actually called "Polytonality". ...
It's a compositional technique invented by 20th century classical composers (and later adopted by jazz musicians) where multiple different keys play simultaneously.
@chipia @echoplex That's fine... but I must say, having read the Wikipedia entry and having heard the (serious) included examples from Bach and Stravinsky, those classical composers used the effect to achieve something harmonious, if just a little eerie. What I heard from the game OST is... well, as echoplex says, it sounds like a parody, or a theme used to establish a dystopian setting.
Do you know of any... uhm, more pleasant, or accessible, modern examples?
@nessisonett Who’s going to read that and be like “you know what, I WAS going to be bigoted, but now I’m not”? Honest/good-faith question. Like are there genuine bigots out there who have their hearts changed by obligatory moral/political statements that most people already live by anyway?
At least the thumbnail art is lovely.
It seems like I’m hearing something else, this just seemed like it was missing a few layers, it could be the proto build of a club hit. Not the worst at all (not my jam either tho).
Try Kronos Quartet
(Golijov)
https://youtu.be/KYBJpXeiSCs
@marandahir
Right? Next you’ll tell us diminished tones build suspense...
@chipia
Yes~~ I thought along this line too: it makes or breaks some contemp- 80/90s sampled dance or hip hop
@chipia @COVIDberry
Hope I’m not stepping on your toes chipia~
Legit question COVIDberry, though also realize comment section is limited forum.
I think Motzart has a humor piece with a discordant ending and there after...
Example from Stravinsky:
https://youtu.be/esD90diWZds
Guitar w/details
https://youtu.be/wtZ8KmVHXCg
Mingus ... ohh! Chills.
https://youtu.be/zFA0FYQo0Gg
@COVIDberry Trent Reznor (Nine Inch Nails, the Social Network soundtrack etc) is known for using dissonance and going back and forth between major and minor chords, creating an unsettling mood (along with unusual time signatures). I've never studied musicology but watching youtube videos dissecting the tracks was truly interesting.
@Dr_G_Lemaitre @chipia
YES! Finally, people who get it!
This is built into a long tradition of music that challenges the viewer. We see it in modern urban music genres, we see it in the Russian masters like Stravinsky and Mussogorsky, we see it in East Asian and African polytonal music too.
Can you create a video of your vomiting ears?
@Ganner Good old rock and roll
https://youtu.be/jQqK1CjE9bA
I played this thing on repeat a bunch when it went viral earlier today, and sure enough, the more I listened to it, the more my ears acclimated and I started really liking it. What really makes it, in my opinion, is when the bassline is introduced on top of the already dissonant elements, creating a third layer of dissonance - but that bassline goes hard nonetheless, without apology. By no rights should it work, and yet it's really unique and refreshing to my ears. Kinda reminds me of the sorts of tracks you'd hear at a rave or on an obscure UK techno compilation circa '89-91.
Plus - I mean, it got all of our attention, right? It's so rare to find any music that raises eyebrows at all these days. So that's a point in its favor!
@ToneDeath Hahahahaha!! They make Bill & Ted's early days Wyld Stallyns sound like Van Halen Where did you find that?
@Ganner I think it was most likely from a list of Kurt Cobain's favourite records in a magazine years ago.
Another (in)famous one, though it apparently took a lot of skill and months and months of practice to achieve: Trout Mask Replica by Captain Beefheart & His Magic Band.
https://youtu.be/aF0g-2SeoMM
@ToneDeath Alright you need to stop the LOL's from listening to that stuff make it hard to breathe
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