If we had to choose two words to describe In Stars and Time, we’d pick 'beautiful' and 'strange'. This story-driven RPG is ideal for fans of titles like Undertale and EarthBound. Don’t take that comparison to mean that it is identical to these games, though — it’s still its own experience.
Right off the bat, In Stars and Time looks great, with 4:3 aspect ratio that makes it feel more retro than it actually is. The music is gentle and soothing, and it pairs perfectly with the monochrome art style. The menu and settings are easy to navigate from the off, and the story starts with a detailed trigger warning; the game does have some text-based depictions of topics like suicide, which is worth being mindful of. Nothing is shown, but the dialogue is intense in places.
In Stars and Time has some lovely characters. The cast is diverse, with people all using different sets of pronouns and plenty of representation for different identities, types of love, and feelings on topics like romance. The story starts off with the player character, Siffrin, having a strange dream where they eat a giant star. They wake up in a field, staring at the sky and being nudged by their friend Mirabelle. Mirabelle comments on how strange it is that Siffrin is napping the day before they take on the King in battle and attempt to save the country. The ruler is evil and fearsome, and he has control over a group of ominous enemies called Sadness. He poses a huge threat to the country of Vaugarde and needs to be taken out immediately.
To start, Siffrin is tasked with finding all of the main characters (Odile, Bonnie, and Isabeau) and instructing them to meet up for a sleepover with Mirabelle the night before they take on the King. Mirabelle is the Chosen One and she has been blessed by the Change God with the ability to supposedly counter the King’s attacks.
The introduction to the game mechanics and overall setting feel nice and natural. You gain control of your character almost immediately (which operates smoothly on a grid system) and get to explore the various parts of the village before getting on with the main game. Interacting with the world is pleasant and the controls are intuitive for the most part. It’s pretty easy to skip over dialogue by mistake if you hit a button too quickly, but you can alter text speed and other game elements in the settings.
Once you get going with the main game, you gain control of your party and get to start exploring the foreboding House of Change. Battles with enemies are fun and frequent, and can present more of a challenge in the late game than you might expect at first. There is a magic system in the game called Craft. It’s separated into different types, with the main types being Rock, Paper, and Scissors. Rock Craft is super-effective against Scissors Craft, and so on.
Combat is turn-based, with a big focus on combos and timing. There’s a bar beneath each character’s portrait which fills up progressively — once it’s full, that character can take their turn. During a turn, items can be used, buffs/debuffs can be applied, enemies can be examined, and ‘Jackpot Points’ can be accrued for combos.
A Scissors attack will generally award one Scissors Jackpot Point. Once there are five Jackpot Points of the same type, a mega Jackpot attack will happen automatically which restores your party’s health and stats. As you'd expect, while fighting you need to be mindful of enemy types and resistances — some bosses are completely invulnerable to Rock attacks, for example.
One small complaint that we had during our run is that it’s a little hard to see which enemy you’ve selected during a multi-battle. It’s not a game-breaking issue, but the visual cues could have been bolder as everything is in black and white. There are also some minor frame drops when you get very close to enemies in the overworld, making it hard to avoid some fights. This doesn’t happen every time, but frame drops when you’re running down a narrow corridor with two enemies can be frustrating.
There’s a simple leveling system and stat system in this game. As you progress throughout the House of Change (and beyond), you’ll gain experience points and find items that can help to boost the stats of your party. As we alluded to in our tagline, there’s a time loop system here which you’ll need to get to the bottom of without losing your mind. We won’t spell it out completely as it’d give the game away, but it’s fantastically written and ties into the roguelite RPG style perfectly.
The roguelite elements here aren’t particularly cruel to start with, but they may, naturally, feel frustrating to folk who don’t enjoy roguelike or roguelite titles. The game gets steadily more difficult over time, too. Siffrin keeps their experience points and weapons no matter what happens, but practically everything else — like keys, party experience, or potions — can be lost. You’ll also end up back-tracking quite often, as there are some dead ends and deliberate tricks.
Conclusion
In Stars and Time can be unforgiving, but if you’re a sucker for story-driven RPGs with roguelite mechanics and tricky puzzles, you won’t find many better options out there. It’s a difficult game to beat quickly, with our initial run taking us just over the 45-hour mark. Aside from the small problems like some unclear visual cues and minor lag issues, the game plays brilliantly. The characters are loveable and feel incredibly authentic, and the story is deeply engaging. Just be warned — almost every item becomes important at some stage. There are heaps of rooms, hidden passages, and corridors, and you’ll need to remember where everything is if you want to progress. Keep a pen and paper handy.
Comments 17
Steep difficulty might be a con, but when I see those words all I can think of is another challenge for me to overcome!
Definitely something I will nab in the future!
Hmm... I have to say, the fully monochrome art style is a little bit of a turn-off. Even back on the Game Boy, I always played my Pokémon on the GBC which added shades of blue to the world and orange to the NPCs (or red to the world and green to the NPCs). ...A fully monochrome game like this as an intentional art style is...... it's... I dunno. Difficult to warm up to, shall we say.
That being said, I did enjoy tremendously West of Loathing, which is also a monochrome game, but that felt more congruous since West of Loathing was intentionally designed to look like scribbles on paper - and the UI elements still had colours for clarity.
I played the creator’s prequel START AGAIN: a prologue and really enjoyed it. I’m not sure when I’ll get around to In Stars and Time but I’m looking forward to the full experience!
I don’t know if I’m up for a 40-hour adventure. Although that playtime isn’t abnormal for a roguelite, I enjoyed Undertale and (to a lesser extent) OneShot for their brevity. Even Omori was a little long for me, so I’ll probably pass on this one.
I'd never heard of this game before reading this review, but it looks right up my alley.
Woah, 45 hours? I had to call it a day with CrossCode once I was pushing 50 hours; that game was death by a thousand papercuts towards the later chapters...
@Solomon_Rambling Yeah, a game's length can be an absolute dealbreaker, for me — not because they're necessarily unenjoyable, I just don't have the time to commit to multiple RPGs and farming sims, especially when there are just so many of them.
8/10 makes me happy to hear. the premise almost immediately drew me in, so a good review makes me more interested.
plus it came out today, the same day as my birthday!
“Just be warned — almost every item becomes important at some stage.”
I’ve been playing every RPG since the 90s waiting for this day — holding onto elixirs, max-potions, or full heals waiting for them to become useful late in the game. Finally, my training is complete. A game has arrived that perfectly plays to my hoarder-mentality.
So this is the game that'll make my anxiety peak while I'll try to collect everything and not spend a single potion, just because I know for a fact that this time everything will be necessary at a certain point of gameplay hhahahahahahahahhaha
Not a fan of the Cal arts/Tumblr art style this game uses.
Seems every "quirky" indie-developed RPG is copying from either Undertale or Earthbound.
@russell-marlow
Earthbound and Undertale are great games that don't need massive resources in order to create a system similar to them, so I can see why. A generation or two ago, everything was metroidvania (Shovel Knight, Super Meat Boy, La Mulana, Cave Story)
That said, I'm with you on the Tumblr art. This one actually looks a lot better than most in that style on the art front, but I'm definitely weary of games that have it
@Arminillo Not to mention, the hundreds of "Souls-like" like games in the indie game market as of now.
@Andee
Wait…so you didn’t like CrossCode, or it just dragged on? I only ask because I have it, still in its shrink wrap and everything, and am constantly contemplating starting it. Of course, with a 50+ backlog, I remind myself that I could always sell it and never miss it… It looks so cool, but some of the reviews on YT proclaim it to be pretty hardcore.!
@CodyDogg It's not that I didn't like it — at first I absolute loved it, it's got a lot going for it, in its design, music, and the premise/writing is really well done. It's just some of the mechanics in the actual gameplay become very wearisome the longer you get into it. It would have been a perfect 16-20 hour game, I think.
There's an elemental attack system which is fairly straightforward at first, but later on you're juggling four of them, and in some of the later dungeons you need to switch between them on the fly during battle, and in the middle of puzzles, which again, sounds great on paper, but some of the level design and controlling/aiming your character is so imprecise (there's a multi-levelled elevation to the map which, from a top-down perspective, can make navigation and platforming an absolute nightmare), and a lot of the puzzles depend on pixel perfect aiming/timing. Plus the dungeons are incredibly long; you don't so much feel a sense of accomplishment when you finish them, it's more relief that it's over.
I don't want to rag on the game too much though, like I say it's an imperfect masterpiece, and I very rarely drop a game unless it's absolute trash, I may even return to it one day (I was on chapter 9 of 10), but just be prepared!
@Andee
Thanks for taking a moment to respond, I appreciate that!
Wow! Yes, now that you mention it, I do recall other reviews lamenting the tedium of mode-swapping in the latter stages, not to mention how deft your reflexes need to be with the puzzles (it’s always a shame when you know how to proceed, but can’t get your hands to do perform [flawlessly]). Like you said, I am confident it is a quality game, but do I have the patience to endure it all? And as you, I rarely ‘quit’ a game unless it is broken or too vague for its own good (looking at you, Wuppo!). So…I think it’s just not meant to be, backlog withstanding. Thanks again for the response, happy holidays!
@CodyDogg Not at all! If you've got a copy already you might wanna give it a shot and see if you vibe with it — you can adjust the difficulty on the fly, which the game even straight up says to use "if you're finding it inaccessible, or even unenjoyable" — just strap in for the long haul! I got my 2023 stats yesterday and it turns out that even though the game clock was around 45-50 hours, I'd actually spent 67 hours playing it! No wonder I was burned out...
@Andee
Thanks! Those are excellent points. Maybe I’ll let it hang around in my collection a little longer (steelbook + regular starts at, like, 90€ on eBay.!)?
It’s your caution of the long haul, naturally, that gives me all kinds of pause! With a backlog that includes Astral Chain, Tears of the Kingdom, Link’s Awakening, Death’s Door, Ys 9, Hollow Knight, NMH 3 (+ Travis Strikes Again), Digimon CS, Bugs Fable, Persona 5 Royal AND SMT-V (to name some of my standout physicals), it’s hard to justify rolling up my sleeves with such a game, when other comparable, yet less frustrating, titles are available and waiting to be cracked!
That’s so funny that you just delved into your year review; as it just so happens, I accessed mine yesterday and had a similar revelation: Switch Log says I only put 35 hours into Loop Hero, but ‘23 Review says it was 47! Must have been ‘dozing at the wheel’ again?! Thanks again for the feedback and correspondence! Have a great holiday (adding to your own collection, I hope) and Happy New Year!
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